Options … > Load preset > Use Library native preset/tune.Retiming quality set to Better (Motion Adaptive).Encoding set to Best quality (Multi-pass).Data Rate set to Automatic (instead of 6400 kbps).Key Frames set to Automatic (instead of Every 24 frames).Phew! Appendix: Custom Encoding Presets Triedĭetails of all the presets used. So at the end of the day, forcing Compressor’s input field order and exporting using Apple’s H.264 codec works like a champ. Your browser does not support the video tag. Original especially note the combing during fast hand movements Summary of Repair Solutionįinal confirmation with a 11 sec, 9 MB segment instead. Forcing the field order and using an x264 codec 4 made no difference-and rather looked like the poor output from Handbrake (likely because Handbrake uses x264 too). exporting from FCPX can’t be batched easily (like Compressor)Ĭompressor however is the clear champion! In particular, the only passing Compressor renders were by forcing the field order and using Apple’s stock H.264 codec.each clip would require a separate Project in FCPX.Perhaps the plugin can be refined further from the stock plugin settings, but even if that were the case there are so many disadvantages: Both H.264 and ProRes master files appear identical in deinterlacing quality. PHYX Cleaner’s output was better than the original, but it’s still rather comby. Hence the audio is blank at the beginning of the output render file! Handbrake’s just meant to work on actual interlaced footage.Īlso interesting to note is Handbrake seems to start video earlier from the GOP, even though the file itself started many frames later. Even forcing the footage with tff as top-field-first 3 yielded zero discernible difference. HandbrakeHighProfileDeinterlaceBob60fps.mp4įrom these experiments, it seems Handbrake’s decombing/deinterlacing algorithms can’t be forced on progressive video files. HandbrakeHighProfileDeinterflaceBobTff.mp4 #Scopebox vlc download#Note: please be considerate and only download them sparingly as needed. Compressing them for web would precisely alter what we’re trying to observe! Deinterlace TestsĪll files, a total of 2.68 GB, are available here for reference. Changing this to Top First forces it to treat it as interlaced (since HDV is top field first). Since the file is actually H.264, Compressor reads the metadata and selects Progressive by default. By carefully clicking on the input file’s box, the Inspector window on the right shows a little section called File Properties. The Compressor TrickĬompressor, it seems, has a handy feature that allows “forcing” an input file’s field order. Of these three, Compressor was the clear winner. PHYX Cleaner plugin as suggested on a Wirecast forum 2.Compressor 4 via forcing the field order to interlaced.Three approaches to “uncomb” 1 the baked in interlaced footage were tried: Thus the Nightmare Before Recording began. #Scopebox vlc 720p#So rather than deal with all that I said instead, “Let’s just save H.264 in Wirecast to disk!” (It was a pretty neat setup actually, using two Wirecast documents open simultaneously, one for the livestream and one just for the camera’s archive stream.) Just in case 1080p would create an upscale, I thought going 720p would be better. For example: since HDV is technically a 4:3 1440x1080 image that’s then stretched out, I wasn’t sure whether I should record to 1920x1080 or 1440x1080. #Scopebox vlc how to#Wirecast doesn’t know how to “automatically” record as HDV instead it manually requires setting the codec format, frame rate, etc. While this post details many other general livestreaming lessons learned, there are a few major downsides to relying on Wirecast for raw footage which I now realize. It wasn’t possible to share the video source with both Wirecast and ScopeBox, so I thought, “Hey, why not try recording straight to disk in Wirecast instead?” In order to avoid those awful MiniDV tapes-whose tape changes I feared also might cause the live feed to that meant recording to disk. It has a Firewire out which makes it perfect for livestreaming.įor this event, I wanted to (1) use the FX7 for livestreaming and (2) also record the raw HDV video itself for editing afterwards. AVCHD files compressed into H.264 for editing will look just awful. If you plan to edit the resulting file, convert it to ProRes instead. X.264 and H.264 should only be used when creating files for the web. We’ll start with a quote from Larry Jordan: x264 Decomb, Top Field First (HandBrake).x264 Deinterlace, Top Field First (HandBrake).Appendix: Custom Encoding Presets Tried.
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Can specify the number of backup copies to make. Mariner write. full#A full page is readable from a standard MacBook's resolution. Ability to set to many different kinds of formats - useful. Option to open files from previous session I used it to take notes tonight for a non-profit meeting and it worked very well for that. All of the essential features are quickly accessible and well thought out. The efficiencies of the program don't end there. Apple's own word processor Pages takes a lot longer, and Microsoft Word 2008 seems to take forever. Mariner Write opens in one or two seconds on my MacBook 2.2Ghz. Mariner write. mac#It's a breath of fresh air, in the Mac world, to have a word processor open quickly. The only things that I don't like are related to the interface design, for example the round beveled look of the ruler and tools section is very outdated now, a boring all-grey mix of alien spaceship ("aqua"-style) or early iTunes versions ("metal"-style).īut besides that Mellel has the best combination of features for me, so my money goes to them. No soft hyphen! So only usable for some very short texts, best freeware I've seen for many many years - of course I keep an eye on it) Bean (really fanstatic freeware, but based on Apples buggy text-engine. AbiWord (Many bugs and no updates the last 2 years, I think they don't support the Mac anymore) Mariner write. trial#Papyrus (very ugly, carbon, no real testdrive possible - crippled trial version, but some interesting features - I keep an eye on it) but I exspect the next versions will be much better) Pages (Again no soft hyphen!, occasionally crashes and after a while gets very slow. Mariner Write (really bad font display/spacing for many years now, only english, carbon - so it needs to be rewritten for future OSX releases, will they do that? I'm unsure.) Nisus (Nearest competitor but Nisus doesn't support soft hyphen!, I simply cannot work without soft hyphen.), for me Neo Office is the best of these beasts.) Mellel is not bloated like all the "Office" suites (Neo, OO, MS, are all to slow. The last days I've tested many word processors and I found Mellel to be the best so far, There are good options on the Mac platform besides the huge, feature-intensive office suites (though these are still essential in some situations). The only way to choose the best word processor for your use is to try what's out there. Also, if you use Spell Catcher, Mellel will not allow automatic replacement, which can create issues with bulleted lists since Spell Catcher has to backspace to make corrections. It's also a fine word processor, and contains more advance features, though Mariner Write is still more streamlined. I've noticed that Mellel has come up a lot on this page. Mariner write. software#This is a minor issue in the end, and no software is perfect. With some fonts, you end up with the occasional ugly gap between letters. My only real complaint is something that's come up several times on this page: improper spacing of characters. It's quick to open and respond, and its essential features for my purposes are more easily accessible and intuitive than in any other word processor I've tried. For my needs-taking class notes and writing short and medium-length papers-Mariner Write achieves the perfect balance of features and weight.
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Que, en tout contemplant, nous semblons prendre part à cet acte, que l'étude de ce esquisses nous intéresse tant. The facility with which he invented, the richness of his composition, the luxuriant harmony and brilliance of his coloring, so dazzle the eye, that whilst his works continue before us, we cannot help thinking that all his deficiencies are fully supplied.Ĭ'est parce que, dans ce travail si spontané, nous saisissons sur le vif l'acte de création. As a result, one should not be surprised by the almost infinite number of his paintings, and in light of all the many business dealings that he was obliged to attend to, no other artist ever produced so many works.)Ĭonversation sur la connoissance de la peinture (Paris, 1667) Would only make such changes as he found appropriate. Had studied from nature the objects that he had to represent in the large work, he There are even some which served him as originals: for whenever he Some of his sketches are very slight and others rather finished, according to whether he knew more or less clearly what he had to do or whether he was in the mood to work. (He had such great facility inĪll aspects of his Art that he would just as soon paint as draw, so that one sees almostĪs many little paintings by his hand as large ones, of which they are the first thoughts and sketches. Apres cela ne soyez pas etonné du nombre de presque infini de ces Tableaux, & si je vous dis que nonobstant les grandes affaires ausquelles il estoit oblige de vaquer, jamais Peintre n'a produit tant d'Ouvrages. Il y en a mesme qui luy servoient comme d'Original, & où il avoit étudié d'aprés Nature les objets qu'il devoit representer dans le grand Ouvrage, où il changeoit seulement selon qu'il le trouvoit à propos. Sketch vs antetype plus#Que dessiné d'où vinet que l'on voit presqu'autant de petits Tableaux de sa main qu'il en faitsĭe grands, dont ils font les premieres pensées & les Esquisses: Et de ses Esquisses il y en a fort legers & d'autres assez finis, selon qu'il possedoit plus ou moins ce qu'il avoir à faire, ou qu'ilĮstit en humeur de travailler. Il avoit une si grande habitude dans toutes les parties de son Art, qu'il avoit aussi-tost peint The Use of the Pen and the Pensil (London, 1658) The commotions of the mind could not be cooled by slow performance. Rubens would (with his arms crossed) sit musing on his work for some time, and in an instant in the liveliness of spirit, with a nimble hand, would force out his overcharged brain into description so as not to be contained in the compass of ordinary practice, but by a violent driving out of passion. La vite dei pittori, scultori ed architetti moderni (Rome, 1672) La gran prontezza e furia del penello (the great speed and furor of brush) THE OIL SKETCH AS A VEHICLE FOR RUBENS'S CREATIVITY Two Hundred Years of Collecting Rubens's Oil Sketches Drawn by the Brush: Oil Sketches by Peter Paul RubensĬincinnati Art Museum, Mr. |
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